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Giallo Meltdown: Part 1 (Friday Night) by Richard Of DM Get the Giallo Meltdown Soundtrack (Free) Introduction
I’ve been wanting to do a Giallo
moviethon for about
4 years now but I had so few titles it was impossible to put one together.
Well, the tide has turned and now I have too many to fit them all in to
just one movie marathon. In order to bring down the numbers, I decided to
eliminate the masters: Dario Argento, Mario Bava, and Lucio Fulci. Sorry
boys, but I figured it was time to examine the best of the rest of the
Italian genre directors. Besides, I’ve got this hankerin’ for some Umberto
Lenzi, Aldo Lado, and Sergio Martino. ------------------------------------- 5:00 pm Preparations (Friday)
LeEtta and I get off work and head immediately for
ABC where she can get some Admiral Nelson’s spiced rum. I already have
some J&B at the apartment so I’m all good. We hit up Cigar Castle so that
I can stock up on some smokes. The Macanudo Bus is there and we finagle
some free cigars along with my three purchased cigars: Top Cigars, Oliva,
and Tatuaje. We then run by Wendy’s (it’s on the way home) and pick up an
easy dinner. -------------------------------------
“Well now, my fleet-footed filly, are we going to
have it off in the bushes or on the bike?”
Whoa, acid in the face! We’re off to a good start.
LeEtta refers to
Luigi Pistilli as “the swarthy Jeremy
Irons” and I’m not going to argue. His voice actor is awful and the
scriptwriters think that Irish people say “well now” at the beginning of
every sentence. Hilarious. More dialogue malfeasance occurs when Inspector
Lawrence tries to explain the iguana metaphor behind the movie. LeEtta and
I are dumbstruck by that one.
Read the
full review. -------------------------------------
“She reminds me of a werewolf.”
LeEtta reaches into the black glove and draws out
this 1968 Antonio Margheriti… um… film. The mod soundtrack and that
amazing “Nightmare” song were probably out of fashion the moment this film
hit theatres. It already reminds me of a German Krimi rather than a Giallo.
The movie is so light and fun that I keep expecting Dinah Shore to show
up. Instead, the frighteningly expressive
Marc Damon (Johnny
Yuma) is here to creep me out with
that freaky smile and a hankerin’ for the student body. -------------------------------------
10:10pm Richie and I retreat to the patio so that I can complain some more about the retardulous (that’s retarded and ridiculous) Naked You Die. The weather is cool but not nearly enough for December. The Christmas lights I put up are twinkling very nicely. I light up an Oliva cigar (a new favorite of mine ever since Argentophobia) and crack open a Monster energy drink. We discuss the films to come and my plans to keep watching them until the dawn of Monday morning. After I’ve smoked the cigar down to the nub and talked Richie’s ear off, we head back inside. -------------------------------------
Richie pulls Antonio Bido’s
The Bloodstained Shadow
from the black glove and I’m pretty psyched. This was one of those flicks
that I outright hated upon first viewing it but I’ve come around to it.
It’s still a slow burn but it is an intelligent and a
visually stunning Giallo. There’s a
really creepy inbred vibe coming from the small-minded townsfolk. Take
that and combine it with some sacrilegious imagery and you’ve got one of
them there artistic statements, I think. Read the full review. -------------------------------------
I pull the strip of paper out of the black glove and
I’m a little disappointed. Seven Deaths
In The Cat’s Eye is good but I was
hoping for Richie’s benefit that it would be something more typical for
the genre. The gothic overtones and quasi-supernatural moments nearly
disqualify this as a Giallo. However, a black-gloved killer, a slew of
murders, and a totally insane plot manage to stabilize its genre status.
Holy shit, some rats just ate that duder’s face off. Could
Luciano Pigozzi be the killer? Nope,
he's dead. Read the full review.
------------------------------------- Okay, so we had a shaky start. Fate wasn’t cruel but she wasn’t on my side either. What was with the two moderately-paced (SLOW!) Giallos in a row for Richie? That’s just cruel. And Naked You Die? What a huge disappointment. I can’t remember the last time I was begging for a Giallo to end. Oh wait, yeah I do. French Sex Murders, anyone? That shit is banned from the Moviethon. Richie takes his leave but wishes me luck on his way out. Well, I’m going to bed now. The easy part is over. Continue on to Saturday. |