Evil Cat (1987)
A construction crew unwittingly frees an evil cat spirit when they move an ancient stone tablet. Master Cheung (Lau Kar-Leung), the descendant of the mystics sworn to fight the cat, shows up to try and destroy his enemy once and for all. Things look bad as the cat spirit invades the bodies of unsuspecting people, gives them supernatural strength, and then uses them for evil until it casts off their bodies in an explosive spray of body parts. Cheung enlists the help of loser limo driver Ah Long (Mark Cheng), whose boss was possessed and destroyed by the cat spirit, to help him put an end to the evil feline.
This is just what I needed! While it is far from a groundbreaking film or an essential Hong Kong genre classic, Evil Cat is perfect for shaking out the cobwebs. From director Dennis Yu (Beasts, The Imp) comes this wild and fun blend of supernatural horror, slapstick comedy, kung fu, and explosive action. Oh man, some of those stunts looked pretty painful. And yes, this flawed beast also comes loaded with goofy special effects, ridiculous makeup, shrill female characters, stupid cops (and security guards), tame sex scenes (it’s only a Category II after all), ideas lifted from a dozen other films, and a wicked cheesy synthesizer score.
The lunacy of Evil Cat works thanks to some great performers. Lau Kar-Leung is excellent as Master Cheung, a man who has waited fifty years for his chance to prove himself against a supernatural foe. Mark Cheng (Peking Opera Blues) is perfectly cast as Ah Long, limo driver, wannabe playboy, and reluctant hero. And the very silly Jing Wong (Tricky Brains) is awesome as the main source of comic relief: Inspector “Handsome” Wu. Not much can be said for actress Lai-Ying Tang who plays Master Cheung’s daughter. She brings a bland performance to an even blander character.
Folks looking for some really weird and energetic entertainment will dig on Evil Cat. Don’t expect a life-changing experience, just enjoy the ride. The bloody rampage in the police station, the pursuit through some labyrinthine tunnels, and the surprisingly downbeat ending are all highlights of this eccentric flick. Watching this film with Ngai Kai Lam’s The Cat, an even more insane horror-action-sci-fi-whatever film, would make one hell of an amazing double feature.
“No lady will like you. Go back to your working place.”